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Posted: Monday, December 3 2007. 1:00 PM

Ribera del Duero: Wine Adventures in Castilla y León

When co-operatives were the kings

Except for a few wines like Torremilanos, which was actually founded in 1903, but began to grow in popularity in the early 1980s, most of the region's wines were produced by cooperatives that stood on the outskirts of the larger wine villages. Most of the co-ops also made rather rustic bottled reservas, a few of which acquired a following with some Castilian wine aficionados.

The cooperatives usually fermented their wine in open-topped epoxy-lined cement tanks. God was more or less in charge of the temperature control system during fermentation. If the fermentation season was cool and the tanks were clean, some stupendous cooperative-made, vinos del año (wines from the current harvest), especially from vineyards in the cooler uplands of the Ribera de Burgos, could end up in the terra cotta pitchers of the region's superb, often colorful country asadores (brick-oven roast houses).

Though served without labels these house wines became the stuff of legend in Aranda de Duero, where of travelers used to stop for lunch on their way north or on week-end day trips from Madrid. "Aranda de Duero, Vino y Cordero (wine and lamb)," signs proclaim at entrances to the town. Drawn by the town's famous asadores (more than a dozen in Aranda alone)–with their brick ovens redolent with the aromas of irresistible roasting suckling lamb–generations of Spaniards (and a few foreigners) discovered how good the jewel-like, deep black raspberry-colored Ribera del Duero vinos tintos could be.

Rise of wines from Ribera del Duero

After the official denominación de origen Ribera del Duero was granted in 1982, the nucleus of small grower producers who would soon put the Ribera del Duero in the wine world's map began to emerge. Led by Alejandro Fernández (whose Pesquera would take a moonwalk quantum leap when Robert Parker, Jr. compared it to Bordeaux's Petrus in the late 1980s), several grower-producers began to demonstrate that where there was smoke (Vega Sicilia, Protos and the pitcher wines of Aranda), there was fire. Even with their fledging wines, often the first vintages they had bottled, producers such as Alejandro Fernández (who established Pesquera in 1972) in Pesquera de Duero, Torremilanos en Aranda, the Pérez Pascuas family (Viña Pedrosa) in Pedrosa de Duero, Valduero in Guimiel de Hizán, Valsotillo in Sotillo de la Ribera and Victor Balbás en La Horra were already showing the great potential of the Ribera del Duero.

During most of the 1980s, I used to visit these wineries at least once or twice a year, and, along with a tasting visit with the great Mariano García, then the winemaker at Vega Sicilia and consultant to Mauro (just outside the Ribera del Duero D. O. in Tudela de Duero), I was able to cover most of the quality wine producers in a couple of days. Since then the number of wineries has spiraled up to more than 200 and now it would take a week or more just to cover the more noteworthy wineries, not to mention the new bodegas that spring up every year. Now worthy of visits are not only the clásico small producers who surfaced in the early 1980s after the D. O. was established, but also the wineries which began their ascent to stardom in the late 1980s and early 1990s: Dehesa de los Canónigos, Pago de Carraovejas, Matarromera, Emilio Moro, Condado de Haza (Alejandro Fernández's second venture, single vineyard estate winery ), Félix Callejo, Arzuaga Navarro, Bodegas Monasterio (whose young Danish winemaker, Peter Sisseck , would become an international star with Dominio de Pingus, his "garage" wine), Carmelo Rodero, Vega Sicilia's Alión, Viña Mayor, Grandes Bodegas (Marqués de Velilla, Villalobón), Finca Villacreces, Viña Sastre, Cillar de Silos, López Cristóbal and Montebaco.

Up until 1995, growth in the Ribera del Duero seemed manageable for an intrepid wine taster of that old breed who believes that to really know a wine well, you must visit the bodega and meet the people who make the wines (I have visited 42 bodegas in Castilla-La Mancha alone). Since then the explosion in the number of wineries clamoring for attention in the Ribera del Duero has reached a crescendo. Among them are some serious contenders such as Emina, Pago de los Capellanes, Cachopa, Aalto, Dominio de Atauta, Real Sitio de Ventosilla (Pagos del Rey), Pagos del Infante and Viña Arnaiz, all founded during the five years leading up to the Millennium. The year 2000 on seemed to spark its own comet trail of coming stars to further light up the Ribera del Duero's wine sky, including the not inaptly named Celeste from Cataluña's Miguel Torres, Astrales from Alberto and Eduardo García (two of star winemaker Mariano García's sons) and La Rioja Alta's Aster).

Young stars of the valley

Though relatively little known now, there are a number of nascent stars that have made successful debuts in Ribera del Duero's red wine galaxy just since 2000, many of which have drawn high praise from the Spanish wine press. They include Mattaromera's Rento, Emilio Moro's Cepa 21, Bodegas Conde's Neo, the Osborne family's Bodegas y Viñedos del Jaro (Sed de Caná, Chafandín), Montegaredo (a new pyramid-shaped bodega), Alonso de Yerro, peripatetic flying winemaker Telmo Rodríguez's Matallana, Lynus, Abadía de San Quirce, Miros de la Ribera, Codorníu's Legaris, Bodegas Trus, Uvaguilera (an ex-Mauro winemaker), the very promising Montecastro and the wines of Bodegas y Viñedos Lleiroso , the pet project of Pascual Herrera, Director of the Enological Station of Castilla y León and director of the Wine Museum of Peñafiel.

The investment in La Ribera del Duero from bodegas from outside the region mushroomed after the new Ley del Vino (wine law) was passed by Spain's Congress in 2003, allowing wineries to make and sell wines from other regions. In addition to the wines from Osborne, Telmo Rodríguez, la Rioja Alta and Codorníu, other outside producers include La Rioja's Féderico Paternina (Marqués de Valparaiso), the giant Cava producer Freixenet ( Valdubón), Catalan Cava producer Parxet (Tionio), Pernot Ricard's Tarsus, O. Fournier ( Alfa Spiga) and the Carrion group (Viña Arnaiz).

 

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